Introducing “The Last Supper” and Mirta Ibarra’s Conversation
Set against the backdrop of 18th-century Cuba, The Last Supper unfolds a dramatic story where a nobleman’s attempt to impose religious enlightenment on his slaves unexpectedly sparks a rebellion. This unique cinematic experience is complemented by an insightful conversation with Mirta Ibarra, the renowned actor famed for her collaborations with the legendary filmmaker Tomás Gutiérrez Alea.
Event Details and Film Synopsis
The film is presented in Spanish with English subtitles and carries a mature content warning due to its intense themes. Taking place on Friday, 14 November 2025, from 18:30 to 21:30 at CCA Glasgow, the screening is followed by a brief intermission before the live conversation with Mirta Ibarra.
In the film, a well-meaning but naively misguided count decides to evangelize his slaves by reenacting Leonardo da Vinci’s iconic Last Supper. Selecting twelve slaves to portray the disciples, the count arranges a table scene intended to teach Christian values. However, the attempt at religious instruction takes an unforeseen turn when the slaves rise up in rebellion on Good Friday, transforming the event into a powerful critique of colonialism and religious hypocrisy.
Key Themes and Content Advisory
- Religious Hypocrisy: The film challenges the sincerity of imposed spirituality under oppressive circumstances.
- Colonialism: It portrays the harsh realities and power struggles within the plantation system.
- Slave Rebellion: The uprising highlights the desire for freedom and dignity amidst suffering.
The film contains scenes of historical violence and psychological intensity, adding to its profound exploration of human conflict and resistance.
A Dialogue with Mirta Ibarra: Memories and Legacy
Following the screening, viewers are invited to engage in a rare opportunity to hear from Mirta Ibarra herself. Her conversation offers enchanting anecdotes about her journey in Cuban cinema and her collaboration with the esteemed director, Tomás Gutiérrez Alea—who is revered for his masterful storytelling and social commentary.
During the session, a special screening of Abrazos, by Alejandro Valera, will be featured as a tribute to the classic Strawberry and Chocolate, another iconic film starring Ibarra. This homage ties together the themes of cultural identity, artistic expression, and the molding of Cuban cinema through decades of transformative filmmaking.
Historical Context: Cuban Cinema and Social Commentary
Cuban cinema has long been a powerful medium for social critique, often blending narrative art with political and cultural reflection. Tomás Gutiérrez Alea’s films, including The Last Supper, are exemplary in this regard, exposing colonial legacies and raising awareness about social injustices.
This tradition of using film as dialogue with history continues to resonate, underscoring the pivotal role arts play in preserving memory and inspiring change. Mirta Ibarra, as a key figure in this movement, bridges past and present by sharing firsthand experiences and illuminating the depth behind these cinematic works.
A Brief Table of Related Cuban Film Milestones
| Year | Film | Director | Significance |
|---|---|---|---|
| 1976 | The Last Supper | Tomás Gutiérrez Alea | Explores colonialism and slave rebellion |
| 1993 | Strawberry and Chocolate | Tomás Gutiérrez Alea & Juan Carlos Tabío | Addresses cultural tolerance and identity |
| 2005 | Abrazos (Los Van Van Video) | Alejandro Valera | Homage to Cuban cultural heritage |
International Tourism and Cultural Engagement
Films like The Last Supper serve as more than just cinematic experiences: they provide rich cultural context that enhances visitors’ appreciation of Cuba’s history and social landscape. For travelers drawn to storytelling that navigates the crossroads of art, history, and resistance, these works add depth to the exploration of destinations known for their vibrant heritage.
Festivals and screenings cultivate international interest, inviting tourists to engage not only with beaches and historic streets but also with the intellectual and artistic currents defining regions today. This fusion of culture and tourism broadens the visitor experience beyond surface-level attractions, encouraging thoughtful immersion.
Potential Influence on Maritime and Sailing Tourism
Although The Last Supper focuses on inland historical struggles, the Caribbean’s waterside destinations frequently attract visitors who arrive by sea, seeking adventures that combine cultural discovery with yachting or boat charters. The intertwining of cultural events and maritime activities presents opportunities to align vibrant land-based history with oceanic exploration.
For sailors and yacht enthusiasts, ports near cultural hubs offer the chance to dock and enjoy screenings, talks, and other events that enrich the sailing itinerary. This dynamic points to exciting synergies between artistic heritage and boating tourism, expanding what water-bound adventures can offer.
Conclusion and GetBoat Service Note
In sum, The Last Supper offers a potent cinematic journey into themes of faith, power, and rebellion, shadowed by the historical realities of 18th-century Cuba. Paired with an engaging conversation by Mirta Ibarra, the event invites deeper reflection on Cuban cinematic legacy and its ongoing cultural resonance.
For those navigating the Gulf and Caribbean seas, combining yachting with exploration of such cultural expressions can transform an ordinary trip into a well-rounded adventure. This blend enhances the charm of marinas, waterfront destinations, and beachside communities.
GetBoat.com is an international marketplace for renting sailing boats and yachts, offering diverse options to suit every taste and budget. Whether seeking peaceful lakes, vibrant marinas, or the turquoise ocean, GetBoat can provide the perfect vessel to navigate and enjoy destinations where history and sea come together seamlessly.
Exploring The Last Supper Film and a Conversation with Mirta Ibarra">